Nora Roberts has written over 200 books. I have read at least 100 of those. I suspect that if I were to sit down with a list and start checking off titles, it’s closer to 150 or more. One of my closest friends, Brandy, introduced me to Roberts in 1996 with the Dream Trilogy (still a favorite today, if a bit dated). I immediately devoured as much of her back catalog as I could get my hands on, and read every new release and out of stock re-release for the next 10 or so years.
I’m still a huge fan of her “in death” series written as JD Robb, and read those the day/week they are released. However, over the past five to eight years, I’ve hit a wall with Roberts. Her work is still solid…it’s just that as a fan of her work for almost (gulp) two decades it’s also predictable.
While I’m not gasping in shock over a plot twist, Roberts does still pull off an enjoyable read.
While Roberts typically opens a paranormal with a glimpse into the mythology she’s weaving, Dark Witch breaks that with an extended view (2 chapters) into the origins of the Dark Witch and why we’re now dealing with a trio rather than a single descendant of Sorcha. Part of this is because she’s setting up a fairly complex backstory between Sorcha (and her descendents) and Cabhan (and his), but it also makes for a nice change of pace.
We then flip forward to modern day Ireland, where Iona-our token American-has arrived in Ireland. One of the unique twists on this series is that while Iona is new to her powers, she’s known the family legends her entire life. There is no shocking reveal. More refreshing is that the entire town knows–there’s no need for subterfuge amongst the magick working characters and the non magickal characters (to use Robert’s preferred spelling). Because there isn’t, it’s also not a major plot point either way and therefore is easily dispensed with.
Iona is welcomed into the family by her cousins Branna and Connor. She secures a job at a local stable headed by her assigned love interest Boyle. The stable is owned by Branna’s (obvious) former lover Fin. Connor’s (obvious) eventual love interest Meara also works there.
While the who’s going to end up with who is obvious, I enjoyed the path of seeing how Iona and Boyle would end up together, what would push them apart and so forth. I get the feeling that Roberts might well have pushed the resolution of the couple back into the second book, but couldn’t because of genre conventions and that the next book won’t be telling the Iona/Boyle story. Without going into spoilers, I will say that the wrap of the I/B relationship was rushed and bit dissatisfying.
There is no hint at the Connor/Meara relationship in this book, but without reading it, I can tell you that in book 2 there will be a reveal that at least one of them has pined for the other and the other will be shocked by it. I will be less interested in this relationship than the other two. This is a pattern of her trilogies and I know what I’m in for.
Most interesting by far, and why she’s also saving it for book 3 (note, I haven’t actually read the flap copy or anything relating to the other two books, I just know the Roberts pattern) is the Branna/Fin relationship. They are the former lovers who have broken it off. That reason is that just as I/C/B are Sorcha’s descendents, Fin is Cabhan’s descendent–something he didn’t find out until after they were a couple. He has chosen to align himself with the O’Dwyer cousins, but he and Branna are not buddies, and they’re not over one another. His choice to align with the good side rather than the bad feels like a new (or newer) plot point for her, and one I appreciated.
The pacing of the book is fairly solid. I didn’t get distracted by other books in my reading queue. However, I didn’t feel the need to stay up half the night to finish it, either. Apart from the rushed ending with regards to the I/B romantic relationship, I was happy with the backstory we’ve gotten in this books, the growing friendship/familial relationships that grew in this books and where the plot will go over the next two books. I’m not running out to read book #2 before I read anything else, and there’s no rush–book #3 isn’t out until Nov 2014–but I’ll buy it and keep it on my kindle as my next “palate cleanser” book.
If you’re an established Roberts fan, you’ll find it fairly standard Roberts paranormal fare. Worth noting–as with anytime Roberts feels compelled to write “spells” you will sigh at the often bad rhymes. It’s not her strong point.
The bigger question is what does this book/trilogy have to offer someone new to the genre/new to Roberts?
Do you like paranormals? Do you enjoy witches and magick being thrown about not just in a fantasy/historical setting but in modern day Ireland? If not, move along.
The reasons that I like Roberts as a Romance novelist are that she writes good characters. She doesn’t write one dimensional stock characters (although read enough work and you do see patterns). Her women are complex, and they are active participants in the story and in their love life. Iona goes over Boyle, rather than wait for him to come a knocking and notice her. Obviously this is a romance book, but the relationship between I/B is A plot rather than the entirety of the plot. The paranormal side isn’t just filler–it’s a genuinely interesting story on its own.
Roberts takes the time to research to the point where she can write convincing jewel thieves (Honest Illusions among others), cattle ranchers (Montana Sky), homicide police officers (In Death series of 30+ books and others) or a horse riding instructor (as in this book). I appreciate that Roberts doesn’t phone it in.
The sex scenes are okay. I’m not the best barometer because as an erotica author, I tend to read (and write) far more explicit scenes. That said, they’re not boring or trite either.
I don’t know that this is the first Roberts book I’d hand a new reader of hers, but that’s about personal bias rather than the quality of this book versus another. For the record, my favorites include the Dream Trilogy, The McKade Brothers, The Quinn Brothers, The MacGregor Family, and the In Death series. Individual title recommendations are Honest Illusions and Sweet Revenge (incidentally both feature jewel thieves).