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Published September 2018
I received a free copy of Big Fat Bitch from Netgalley in exchange for an honest review.
CW/TW–there is a scene with a graphic sexual assault in the book. It is part of a larger #metoo subplot, but could prove hard for victims of sexual assault.
Sofie Vincent has clawed her way to the top, and is now Queen Iron Britches, showrunner and writer of Vindication, the hottest show on television. Everyone jumps to do what she says out of fear of what will happen if they don’t.
Fletcher Sullivan is a divorced single dad of Ava (12) and a hospice nurse. Together, he and Ava read to the residents of the hospice. One day, they read to a new patient with dementia, Rose, and she calls Ava “Pudgie.” When Fletcher mentions it to Rose’s nurse, she tells him that Rose is the author of a famous series of books about a girl named Pudgie. Fletcher decides to find Pudgie–her daughter.
Sofie ensures that Fletcher gets fired. Then ends up hiring him herself out of fear that he might spill her secret.
Big Fat Bitch is a romance, but it’s a slow, slow, slow burn. There are no sex scenes.
I had considered giving Big Fat Bitch a 4/5*, but the complexity and slow changes that Fletcher inspires in Sofie earned it the 5/5. Sofie is smart, successful, and scared. So scared of being found out to be Pudgie–who she views as her mother’s favorite child, the one who succeeded where she, Sofie, failed. Sofie has a huge mansion, a fat bank account, and very little else.
As a plus-sized woman, it meant a lot for me to see her be all of those complex things, and also a size fourteen. She doesn’t lose weight to be happy and that’s a big deal.
Fletcher is a less complex character–he wants to provide for Ava, and he wants to make the world kinder. He could have outed Sofie for revenge, but doesn’t. He only takes the job Sofie offers because his ex-wife is threatening to take away more of his time with Ava. But being Sofie’s assistant, and respecting her an employer doesn’t mean he isn’t going to go toe to toe with her.
This is a story of mothers and daughters, and of the kind of love that never dies.
I think the love story that really twisted my heartstrings, though, isn’t the one between Fletcher and Sofie. It’s the one between Sofie’s parents. Her father has lived on a boat since her parents divorced when she was a tween. When Fletcher can’t find Pudgie, he does manage to track down Rose’s former husband. Rose and Vincent had a hell of a love story, and the end of it made me sob.
In another author’s hands, Fletcher and Sofie would’ve sparked off each other and it would’ve been a concussive explosion. Which is what I kept expecting. But by keeping it slow, Voight gives us more time to get to know the characters and see why we should want them together beyond “the plot demands it.” It means there’s no magic kiss to wake the Beast from her slumber–instead, she has to make the changes herself. The changes are slow and there are several steps backward.
I invoke Beauty and the Beast because at its heart, this is a retelling of that story where Sofie is the beast and Fletcher the beauty. Which isn’t an obvious retelling, but there are just enough breadcrumbs for the reader.
I think this is a great romance that subverts the expectations of what a reader might think a romance “should” be. I can’t wait to read more by this author.