I received this arc (advance reader’s copy) from Seanan at the convention I was at over the weekend. It was a gift, but I think it’s only fair that I review it. In the future I plan to give away the physical ARCs, but this one was given to me by Seanan and it’s autographed to me, so it needs to stay with me.
Warning–this is the 12th book in the October Daye series. There are some spoilers for the previous 11 books/the world after the image of the cover. My recommendation to read the series is in my seven favorite books posts here (on Delilah Night’s website).
Publication date: September 2018
After the events of book 11, The Brightest Fell, things aren’t going great. Tybalt and Jazz have PTSD–Tybalt isn’t even coming to see Toby. Are they even together anymore? No one is coping well. Then Gillian’s father shows up at Toby’s house and tells her Gilly has been kidnapped–again–nearly accusing her of it. She has to go and find her daughter, and it’s clear that someone/s Fae were involved.
When I first read the flap copy for Night and Silence, I was concerned. We’d already done a Gillian was kidnapped plotline in One Salt Sea (book 5). However, Seanan McGuire is brilliant and manages to turn what could so easily have been a recycled plot point into an exciting new story that draws us further into Faerie–not just today but the history and mythology of the world. I would never spoil a plot point, but I will say there are a number of twists and turns, one actually eliciting an audible gasp.
In terms of character development, the way Tybalt’s PTSD plays out is respectful to those who suffer from it. He doesn’t just “get over it.” He is struggling to be who he was, and failing miserably. We don’t see Jazz in this book–she’s referenced but is physically absent–but we know she can’t sleep. Both of them are haunted by Amandine’s actions. Toby isn’t doing so well either–she’s plagued by doubt and recrimination and Gilly’s abduction hits her like a ton of bricks, and she has to pull her shit together, at least on the surface, until she can get Gilly back.
The pacing is tight, and as always McGuire’s characters all have distinct voices and personalities. The tenor is slightly different from the books because Toby is so stretched so thin, emotionally, at this point in time. The way McGuire shifts Toby’s voice leaves it authentic–achingly so because you get drawn into the mire of her grief, terror and fragility. This is not to say there is no humor or that it’s a depressing book–it’s neither of those–merely that the stakes are raised on any number of fronts. There’s still the characteristic McGuire touch of snarky humor–too many character’s voices would be inauthentic if that were missing.
I highly recommend this book. 4.5/5 stars from me.
In the print copy (I’m not sure about digital, sorry) there is also a novella told from Gillian’s point of view that you won’t want to miss. If it’s not in the e-book, you’re going to want to go and buy the physical book so you can read it.